Brandt's Tumbling Log

This is a tumbling log of things and thoughts that pass my way.

If you got here by accident, you may want to visit my website instead.

In the interim, I’m sure I’ll eventually get used to life without autofocus. BLONK! My 30-inch screen helps, as does Spaces, since it’s easier to give windows their own non-overlapping real estate. Stevey’s Blog Rants: Settling the OS X focus-follows-mouse debate (FWIW after six months I still haven’t gotten used to it, but the 30-inch screen really does help. Maybe this is all just a plot to sell more display hardware?)
Desperate Housewives essentially functioned as a kind of cognitive heat sink, dissipating thinking that might otherwise have built up and caused society to overheat. Gin, Television, and Social Surplus
I love the idea of being alerted as soon as there is a new book about dogs in space, but there might be a danger of some kind of Cass Sunstein-style echo chamber actually happening here, if readers only get told about the kinds of things they already like. I like to hear about books that are not like those I’ve already read. Will “Wisdom of crowds”-style filtering do that for me? I dunno. Are links that make it to the front page of Digg really the best things on the internets at that moment? Steven Poole: Free your mind [emphasis added]
20 x 2 : What’s The Difference?
(via JPG Magazine). Just about the sweetest thing you’ll watch on the Interwebs this week.
Ninth Letter, an art/lit mag from UIUC, just posted the excellent video Making Basquiat, showing the process that went into publishing my brother’s essay “Basquiat and Six Uses of Space”. It’s a close-to-home example of how typography and design can respect and reflect the content of the text. (They also link to a PDF of the essay that you can read, should you have missed my earlier link to it.)
Ninth Letter, an art/lit mag from UIUC, just posted the excellent video Making Basquiat, showing the process that went into publishing my brother’s essay “Basquiat and Six Uses of Space”. It’s a close-to-home example of how typography and design can respect and reflect the content of the text. (They also link to a PDF of the essay that you can read, should you have missed my earlier link to it.)
Speaking of iCal, which proudly boasts Helvetica in miniature point sizes on the screen, it has the utterly mind boggling feature that it shows you calendar information on a computer screen with everyone’s favorite 1950 typeface for print, and prints these exact calendars on paper in Lucida Grande, a computer display font from this milennium. ‘Utterly backwards’ might be an apt term for such misfit typography. With these kind of typographic failures, I truly wonder if there are still designers working at Apple with any typographic sense in their Miedinger-tainted brains at all. Swiss Interface Syndrome (though I must admit the amateur typography is far down on my list of things I find offensive in iCal, quite possibly the least usable calendaring software I’ve used)

Greg Sadetsky:

Don’t you find Accelerator to be much more expensive than S3?

Garrick Van Buren:

I haven’t done the math comparing the two, primarily because I’m a strong believer in ‘you get what you pay for’, plus, interacting with S3 isn’t the same as interacting with MySQL. I have a hard time imagining the difference in price is so large that it overshadows the cost of learning how to be tied to Amazon.

from Free & Open Is Its Own Lock-in.

The Web isn’t hypertext, it’s DECORATED DIRECTORIES! What we have instead is the vacuous victory of typesetters over authors… I DON’T BUY IN